#BlogchatterA2Z : “P”- Principles of Design (A2Z of Image Management)

Hi Everyone, 

This is my sweet 16th post for #BlogchatterA2Z challenge and here I am with one of the most important and critical aspect in Elements of design. And it is all about Principles one needs to follow or know about various elements of clothing designs. Design principles are a way to give structure to design work and meaning to the piece.

Balance

An asymmetrical figure can appear more nearly symmetrical and well balanced when wearing clothing with asymmetrical lines or shapes, or be wearing the clothing in an asymmetrical way. The asymmetry of the body becomes less noticeable as more attention goes to the clothing where in clothing becomes dominant and body becomes subordinate. Men’s shoe jackets and sportcoats are designed with hip pockets on both sides of the jacket and a chest pocket on the left side of the garment to create asymmetrical balance. A boldly patterned skirt can balance the appearance of a larger bust area, while a patterned scarf or skirt yoke can work to balance larger hips and legs. Larger areas of color can become tiresome and larger areas of bright color can even become bothersome. The law of areas is a time tested guidelines that states larger areas of color are more pleasing if balanced in combination with proportionally small areas of another color.

Proportion and Scale

To appear balanced, the size of clothing and accessory shapes needs to be in proportion and scale with the body size and shape or form, including the bone structure. Compare the size of the body and the size of clothing and accessories, their overall size and the size of each detail. For example, the smaller the body and bone, the smaller and fewer the design details must be. If proportionally too large, they appear to overwhelm a smaller body. Size, however is relative. What appears large on a small scale body may appear small on a large scale body. Select fabric textures that are proportionally in scale with your figure. Thick, bulky, heavy fabrics on a small figure will over power the person because of the exam contrast in size and weight. Mission is the guide word.

Rhythm and Emphasis

Interior shapes can repeat and reinforce or contrast and counter the outline of the garment or the body. Your choice to reinforce or counter the body depends on your judgement about your body and on your fashion goals. Interior shapes can influence the appearance of height, width and weight, depending on placement, size and line direction. Angular shapes repeat and emphasize the animosity of the body. They counter the roundness of the figure. Curved shapes repeat and emphasize rounded body curves. They counter of soften the angularity of a figure. Interior foreground shapes call attention to themselves and to the specific area they are placed. They can also draw or divert attention away from a specific body area. Use them only in place where you want to draw attention and therefore emphasize. Texture can be used to draw attention away from a particular figure variation and towards a more flattering area of emphasis. Structural and decorative lines that are well placed lead the eye throughout the garment in a smooth, continuous, rhythmic movement. They do not compete with one another for attention.

Harmony and Unity

Related areas, shapes or forms should be consistent. Interior structural and decorative lines on the top of a garment should line up with those on the bottom. When they don’t, vertical eye movement is interrupted and attention goes to the horizontal jog, emphasizing width. To know more about harmony you can see here.

The principles of design are the rules a designer must follow to create an effective and attractive composition and buyers should consider these principles while buying, to look more attractive and presentable.

This post is part of#BlogchatterA2Z challenge.

To read my previous posts checkout here A ,B ,C ,D ,EFGIJ.K,L,M,N,O

@ Swati Mathur

#BlogChatterA2Z : “O”- Optical Illusions in Elements of Design (A2Z of Image Management)

Hi Everyone,

Here I am with my 15th post for #BlogChatterA2Z challenge. An illusion is a false perception or interpretation of something we see-through something that describes our eye when we look at it. An illusion makes something look quite different than it really is. Regardless of the facts,  and according to our mind’s eye, we tend to believe the illusions.

Let’s talk about Optical illusions in elements of design-

Fabric and Texture

Fabric and texture can be manipulated, steamed and layered to create illusions. A general goal is using clothing as a resource is, you select and arrange fabrics and textures in ways that enhance the body,  in ways that makes the figure appear more nearly ideal.  Fabrics can be used in ways that emphasize the most attractive lines and shapes of the body, and camouflage or counter those body lines and shapes you consider less attractive, in effect minimizing or eliminating them. Thick, bully, fuzzy or fluffy fabric can be expected to add visual weight to the body.

For example firm fabric tends to hold or support a garment’s shape, allowing the garment shape to be dominant, while a thin, soft, drapable fabric can fall closely around the body, now allowing the body form to become dominant. Differences in fabric texture cause garments of the same style look quite different when made up in deferring fabrics.

Shapes

A general goal is using clothing as a resource is you select and arrange design shapes in ways that enhance the body,  in ways that makes the figure appear more nearly ideal. Clothing lines and shapes can be used in ways that emphasize the most attractive lines and shapes of the body and camouflage or counter those body lines and shapes considered less attractive, in effect minimizing or eliminating them. You can modify or alter the illusory effects of shape with your use of the interrelated elements of design: line, color, texture and pattern. This requires you to plan and evaluate the effects of each element in the total design.

For example bigger floral shapes on any garment makes you look broader and bulkier while small shape floral patterns can reduce visual size and weight of your body.

Line

Line can be created, arranged and controlled to create illusions. Be aware, however not everyone perceives optical illusions in the same way or to the same degree and some not at all. Depending on eyesight, cultural background, personal experience, attitude and imagination, perception will vary. A general goal in using clothing as a resource is to select and arrange design lines in ways that enhances the body, in ways that make the face and figure appear more nearly ideal. Use clothing lines in ways that lead the eye or direct attention where you want it, that emphasize the most attractive lines of the body and camouflage or counter those lines we consider less attractive. Optical illusion are easier to control if you learn some of the illusions that relate directly to clothing. It is reassuring to know that specific type and directions of lines can be relied on to create specific effects or illusions. When you know what illusion you want to create, you will know better how to do it.

For example. To add visual weight and widen a thin upper torso, choose a rugby shirt with its wide horizontal stripes, or to visually lengthen and slim a thick midsection, choose a long vertical, center front zipper closure, or to visually slim a full rounded body, don’t dress it in full rounded clothes, counter the roundness with straight design lines.

Pattern

A fabric weave or surface texture often gives the appearance of a pattern or vice versa, the fabric pattern creates a definite visual texture. In all cases, either the pattern, the surface texture or the light reflection factor must be dominant.

For Example, corduroy creates textural stripes. Gabardine forms a diagonal twill, so does denim. A vertical cable knit creates stripes in a sweater. A jacquard weave can introduce beautiful textured flowers on cotton, linen or silk.

Color

Color is very good at creating illusions. Regardless of the facts, and according to our mind’s eye, we tend to believe the illusion that color creates. By recognizing the illusions that color create, you can select and arrange to create the illusions you want, they can be used to reinforce attractive personal coloring or undesirable effects of colors. Colors are seldom seen alone. They appear to change as they are seen in combination with other colors.

Warm colors can make cool colors appear cooler. Cool colors can make warm colors appear warmer. For example blue-green eyes may appear more green when blue clothing or eye shadow is worn. Light colors can make medium to dark colors appear darker. Dark colors can make medium to light colors appear lighter. For example, facial skin will appear lighter next to dark colored clothing. Bright colors can make medium to dull colours appear duller. Dull ,muted colors can make medium to bright colours appear brighter. For example, medium blue eyes will appear brighter when a slightly duller blue sweater or eye shadow is worn and vice versa.

The size of a colored area has marked influence on the way the color will be perceived. The larger the colored area, the more consistent the color will appear. The smaller the area , the more easily it appears to change.

Hope this information can help you create the right illusion you want to create.

This post is part of #BlogchatterA2Z challenge.

To read my previous posts checkout here A ,B ,C ,D ,EFGIJ.K,L,M,N

@ Swati Mathur

#BlogchatterA2Z: “M”- Makeup, Make down, Make over (A2Z of Image Management)

This this my 13th post for #BlogChattetA2Z Challenge and I am half way done. Three cheers for all the challengers and Blogchatter.

Let me tell you an instance that made me realize little makeup is not bad if that can uplift the way you feel, act and others response towards you.

I have always maintained that without a bit of makeup, I am at plain as a “mud fence”. I was in a hurry one Saturday and decides I couldn’t take time to put on my face. I was feeling good about life in general, so I headed out on errands add my very plain, unpainted self. Minutes later, in a local department store, I was confronted by a former student. “Swati ma’am, she loudly exclaimed for the whole store to hear. “It really you! How marvelous. You really are as plain as you said you were! “

I smiled at smug looking shoppers, thought beautiful thoughts, reminding myself that beauty comes from within and bear a hasty retreat.

On days when I am going to be out in the World, I find it’s smart to take a little time to put on my face. There is a real difference in a way I look work makeup add well as how I feel and in the way others respond to me.

The purpose of making up has a logical order about it, so you can learn to do much of it quickly and by habit. Don’t feel you have to follow a set number of steps rigidly or that you must use all of your makeup all of the time. You may choose to use more on a social occasion to create greater visual presence or to appear more glamorous. You may choose to use less and appear casual for active shorts or an at-home occasion. You have options.

Basic makeup procedure includes using moisture/protestant on your clean face, before applying any actual makeup. This step seals in moisture and provide a barrier film to protect your skin from the environment. A light lotion will do nicely for day and make a marvelous makeup base.

Wait a few minutes and then, as a general rule, start your makeup applications at the top of your face and work down to avoid smearing.

  1. Foundation makeup, while not essential, is applied first. Foundation evens out skin coloration and can change apparent skin color. Skillfully applied, it can camouflage blemishes. Some foundations provide protection from the sun. Choose foundation to match your skin coloration, dot it onto your face, and blend smoothly in an up and outward direction. When using foundation, less is always best.
  2. Under-eye concealing cream camouflage undertones and evens out skin color,as it moisturize the under eye area. Light skin women are advised to choose concealing cream a tint lighter to camouflage dark areas. Avoid ghostly white concealing creams. Blend smoothly ,in an up and outward direction.
  3. Powder sets foundation makeup, evens out skin coloration, camouflage minir blemishes and soften the appearance of makeup by eliminating any shine. It is an natural looking alternative in place of foundation. Course loose translucent powder to match your skin type. Pies or brush on lightly, using a cotton ball or cosmetic brush. Smooth and blend powder work a cotton ball or brush, in a down and outward direction to avoid brushing facial hair up.
  4. Eyebrow pencil adds color to harmonious hair and grow coloration, fills in brows and can correct eyebrows shape and length. It, too, Can create illusion about face and eyes shape. Choose the color to coordinate with brows and hair color. Brush brows in an up and outward direction to smooth and shape. Full in spare areas with delicate pencil strokes, in the direction of hair growth. Trapper to nothing at the outer end of the brow. Rebrush. About thick, heavy application.
  5. Eye shadow adds both guys and value contrast. It emphasis your eyes and create illusion about eye and gave shape. Cream types are easier blend they moisturize your eye lids. Course the color to coordinate with eye anger clothing color. Spooky to the eye lid and below the brow bone. Blend smoothly in an upward and outward direction, diminishing to nothing just below the brow bone. Lightly powder the area to set shadow and prevent creasing.
  6. Eye liner ads value contrast along the edge of the eyelid and emphasizes the eyes creating the illusion of larger eyes. Choose the color to coordinate with hair, eyes and clothing color. Draw a smooth line along the edge of the upper eye lid and slightly into the upper eye lashes. Rapper to nothing towards the center or the inner corner of the eye. Repeat on the lower eyelid. About underlining the lower lid only, as it creates an unbalanced effect. Avoid joining upper and lower at the outer corner.
  7. Mascara adds value contrast on light skinned women. It emphasis the eyes, while softening the appearance of eyeliner. Choose the color to compliment personal coloring. Look straight forward and stroke color in an upward direction, on the unedited of your upper lashes. Stroke individual upper and lower lashes with the top of the brush.
  8. Blush adds warm colors to the cheeks and imparts a healthy glow to your whole face. It draws attention to the eye color and emphasizes eye color and created illusions about facial contours. Choose the color to coordinate with skin, lip color and clothing color. Using a soft brush, apply blush upward and outward direction over your cherk bones. Blend smoothly with the brush or a dry sponge. Avoid applying too close to the noise or jaw. Avoid circles or streaks of blush.
  9. Lip liner adds hue and value contrast. It define and corrects the lip line while it emphasizes the lips. Course the lipliner in the same or slightly darker shade as lipstick color. Trace the outline of your lips, reshaping only if necessary for better balance and proportion.
  10. Lipstick adds hue and value contrast to emphasize the lips,as it moisturise the lips. Choose a color to coordinate with skin, blush and clothing color. Apply lipsticks at the area inside the lip liner, stroking from center to corners. Avoid an uneven or smeared line.

Famous last words to maintain beautiful skin, remove make up nightly and cleanse your face. You will be glad you did!

This post is part of#BlogchatterA2Z challenge.

To read previous post checkout here A ,B ,C ,D ,EF, G, IJ.K,L

@SwatiMathur

#BlogChattetA2Z :”L”- Look into Fashion Therapy (A2Z of Image Management)

Hi Everyone,

This is my 12th post for #BlogChattetA2Z challenge. Fashion therapy is another conceptual reference to image management, a master of static dressing with as much attention directed to the effects of clothing on the wearer as on the response of others. Clothing functions to provide you with needed change, variety, interest and zest in daily living, a welcome relief from what might otherwise become the sameness of everyday. A range of clothing from casual to relatively dressy, allows you to use your clothes effectively in this manner.

For example “Shikha experiences a release from her everyday take as a homemaker and mother by dressing up in the evening a couple of times a week. Sometimes it is only to share the evening meal with her family. But wearing a soft skirt, casual dress or nice slacks and top, makes the ordinary occasion suddenly special. Her family senses it to and behaves accordingly. It works. Come the weekend, she plans something to make Saturday night special, and wears something equal to the evening.

People often get so caught up, however, on fashion for the sake of fashion and fads they forget about function. In fashion therapy clothing is used as a resource that literally empowers you with a better ability to think, feel and do the things you want to. Looking better always helps to solve problems related in some way to personal appearance.

For example,  “Riya is a graduate student who lives with rheumatoid arthritis a progressively disabling disease. Due to limited arm movement, she requires easy on and off clothing with front openings. She is conscious of the weight of her clothes as heavy clothes make her shoulders ache. Because her elbows will no longer straighten, she prefers to wear long sleeves blouses and dresses, which make the problem unnoticeable to others. She wear very little jewelry, particularly rings, because they draw attention to her hands. She looks for shoes with lower heels to afford her balance and to provide support and comfort.

From all this one of the most important thing which I have learned is when not feeling well is to keep yourself looking well. “if you feel like a cabbage, but look like a rose, I don’t think of myself as a cabbage”.

Parents can effectively manage the appearance of young children with far reaching results.

For example one young mother shared a surprising discovery she made regarding her attitude towards her two youngsters. She discovered when they were left with food on their faces and were sent to play in dirty T-shirt and messy, mismatched pants or diapers, she almost expected them to get into mischief and misbehave. She frequently found fault where there was none, and she was less apt to cuddle and kiss them. She was also less tolerant and more short tempered. However, when she took care and managed to clean and dress them up, she found she had a more positive attitude about their behavior. She was more apt to bestow a hug and a kiss. She was also more tolerant and even tempered. She noticed the same reaction from visitors to the home and from the children’s father at the end of the work day. This is what she has to say -“If the appearance of my children can make that much difference in unconscious response to them”, she chuckled, “it’s well worth a time and attention to keep them looking a little nicer”.

Somewhere in the course of history people got the mistaken idea that the subject of dress and grooming applies only to a women and teenage girls. Not so.

For example, one of my client (My student now working with MNC) who was a young mind came to me disturbed over his difficulty in adjusting to a new job. He claimed he was being treated like an errand boy. As I looked at him and his clothing it was apparent why this could be happening. He was small in stature and had a narrow jaw. His hair was parted in the middle and he wore round, gold rimmed glasses. Basically inappropriately dressed. Considering his professional ambition, some changes were in order. We moved the part in his hair to one side. New glasses were ordered which sits his face shape, new suit was ordered which can give him a more assertive look. He not only looked more mature, confident and capable, he felt that way. Men should not underestimate the influence of their appearance upon their success, both personally and professionally. A little attention to appearance will go a long way toward helping them to achieve their goals. This, too is fashion therapy.

In all cases, learn to manage your clothing as a resource, a tool to help you think, feel and act your personal and professional best, to create a positive First and lasting impression about yourself. While their is no great mystery surrounding clothing and image management, some people seems to have more natural talent or ability. They always seem to look attractive, appropriate and absolutely terrific. Others have to work at it a bit. The good news is that clothing management skills can be learned then practiced to become almost automatic. Resolve now to take charge and make your clothes work for you in all situations.

This post is part of#BlogchatterA2Z challenge.

To read previous post checkout here A ,B ,C ,D ,E, FG, I, J.K

@SwatiMathur

Continue reading “#BlogChattetA2Z :”L”- Look into Fashion Therapy (A2Z of Image Management)”

#BlogchatterA2Z :”I” – Image Management (A2Z OF Image Management)

Hi Everyone,

This is my 9th post for BlogchatterA2Z challenge. You will be wondering why have I taken this topic now. Well this is because we are going according to alphabetical order, so here I am to share with you about what my series is all about. Let me tell you What is Image Management? and What is the power of personal appearance?

According to Judith Rasband – Image Management is the ongoing process of evaluating and controlling the impact of your appearance and the resulting response on you and others. The concept of image management applies to anyone who has ever needed to improve self-image, self-worth, self-confidence, capability and credibility. It applies to anyone who has ever wanted to get an idea across to someone else, to influence opinion or action be it in the home, the school, community or work place.

It is creating authentic, appropriate, attractive and affordable image. Intelligence, knowledge, ability, initiate and effort are vital to success of any kind, but regardless to who you are, how old and what your role or goal , ongoing image management can give you the personal, professional presence you need.

As an individual living and working in a highly competitive society and complex society, you must recognize and understand the impact of your appearance as it communicates first to you and then to others.

What you wear and the way you look affects:

Continue reading “#BlogchatterA2Z :”I” – Image Management (A2Z OF Image Management)”

#BogchatterA2Z : “F” – Fit and Fashion (A2Z of Image Management)

Hi Everyone,

This is my 6th post for #BlogchatterA2Z challenge . As I have already talked about Body Shape and Different Garment Shapes, now it’s the right time to recommend style lines and shapes for different figure or body type. As I have already mentioned earlier every body is unique and few ideal figures existing. Virtually every figure has some figure variations , variations from that so called ideal figure used as a standard for comparison. It does not matter how many people have a particular figure variation. You need to recognize the variation and know how to dress or alter to camouflage or minimize it.

To determine your general figure type or body build, try the time tested “Blink test”. Dress in form- fitting clothing, in possibly a t-shirt and tights. In this attire your attention will be generally drawn to the largest area of your body shape. Then compare that area to other areas of your body and to the body type description I have mentioned in my previous post here.

Now lets discuss the figure type, their characteristic figure variations and how to cover, camouflage, counter, create the illusion of the ideal figure by selecting appropriate clothing.

Triangular Body Shape : They have narrower shoulders, wider hips, average to smaller bust, narrow back and smaller waist. They have low hip curve, rounded buttocks. Possibly low waist and average to shorter legs.

Fit and Fashion Strategy : They should focus on minimizing lower torso and give more emphasize to upper torso, this will lead the attention upward toward their face. Try filling out shoulder and upper torso with soft fullness and design details. Try wearing smooth, loose fit below the waist.

Inverted Triangle Body Shape : They have Wider shoulders, narrower hips & thighs , average to larger bust, wider back, larger waist , high hip curve, flatter buttocks, slim legs. Possibly high waist, average to longer legs.

Fit and Fashion Strategy : They should focus on minimizing upper torso and give more emphasize on center-front at neckline or anywhere below waist. Lead attention inward at shoulders toward neck. Try filling out area below waist with soft fullness or design detail. Try wearing smooth loose fit above the waist.

Continue reading “#BogchatterA2Z : “F” – Fit and Fashion (A2Z of Image Management)”

#BlogchatterA2Z : “D” – Different types of Garment Shapes (A2Z of Image Management)

Hi Everyone,

This is my fourth post for #BlogchatterA2Z challenge and all those who have read my previous posts especially Body Shape would be able to relate to this. In order to understand how different body shapes require specific garment shapes to be worn , first we need to understand – What Shape in a garment is all about?

Shape is the element of design created when a continuous line encloses space. The space within the lines is called shape. Line and shape are the foundation of all clothing design. Shapes define the outer edge, outline or silhouette of the body and clothing. Shapes add interest to a plain garment design. It create powerful illusions about the size and shape of the body and communicate visual meaning , message or mood.

In clothing two kinds of shapes are formed: Background shapes that are formed by the outline of the garment while Foreground shapes are formed by design details that lie on the surface of the garments and appear to advance. Now lets understand what kinds of garment shapes exists and this will help you in selecting which shape is appropriate for your body type.

Triangular garment shapes: They are composed of predominantly straight lines often with soft flare. They are narrower in the shoulders and wider at the hem. The waist may or may not be defined. They emphasis straight edges and the angularity of the body shape, while they counter roundness and camouflage width in hip and thighs.

Inverted Triangular shapes: They are wider in the shoulders and narrower at the hem. Again the waist may or may not be defined. They emphasis straight edges and the angularity of the body shape, while they counter roundness and camouflage width in upper back and chest.

Rectangular garment shapes : They are just that, rectangular with straight lines and tubes abound the body. Longer than they are wide, the dominant lines are vertical. In clothing, they are in opposition to the body and the waistlines is seldom defined. They accommodate width in the midriff and waist.

Hourglass garment shapes: They are designed with a mix of straight and softly curved lines. The garment is relatively fitted at the waist, emphasizing the smaller waist area as compared to the larger bust above and hip below.

Diamond garment shapes: They are narrower in the shoulder and at the hem as compared to the waist. The waist is not generally defined. They camouflage width around the midriff, waist and high hips area.

Bell garment shapes: They are similar to some triangular garment and full-skirted hourglass shapes, combining straight lines with softly curved to full-rounded lines in the bottom half of the garment. They features a mix of vertical and horizontal line directions, conforming more easily to the body yet camouflaging hip area.

Rounded or curved garment shapes: They featured more curved lines than other shapes. The shape changes depending on how full or rounded the curves are. They emphasize roundness and counter angularity in the figure.

Shapes can be manipulated and arranged to create illusions. A general goal in using clothing as a resource is to select and arrange design shapes in ways that enhances the body – in ways that make the face and figure appear more nearly ideal. Clothing lines and shapes can be used in ways that emphasize the most attractive lines and shapes of the body and camouflage or counter those body lines and shapes considered less attractive, in effect minimizing or eliminating them. The garment silhouette may or may not define or reveal body silhouette depending on the degree of fit or ease allowed. Degree of fit with its ease amount can be categorised as:

A very close fitting garment is snug to the body, repeat and reveals body contours exactly, with little or no ease allowed for body movement or comfort.

A slightly close fitting garment repeat and reveal body contours to a lesser degree, having allowed standard or traditional amounts of ease for body movement and comfort.

A slightly loose fitting garment stands slightly away from the body or flows loosely over it, due to a considerable amount of added ease or fullness for a relaxed and comfortable fit.

A very loose fitting garments stands stiffly away from the body or falls very loosely in folds around the body due to added or extreme fullness. Not revealing body contour at all.

A combination of close and loose fit in a garment is also partially fitted. The garment is more close fitting in specific areas such as the shoulders or upper bodice, the midriff and the waist while being more loose fitting in all other areas.

You can use different degree of close or loose fit to present your figure attractively, to accommodate and camouflage a figure variation and to reduce or eliminate the need for alteration.

No matter what the fashion trend , you are smart to select and wear only those degree of fit that flatter your body and its variations and that focus attention where you want it- closeness only in those areas you want the world to see and looseness everywhere you want.

This post is part of #BlogchatterA2Z Challenge.

In case you missed my previous posts you can find them here A B C

@Swati Mathur

#BlogchatterA2Z : “C” – Colour Dimensions (A2Z of Image Management)

Hi Everyone,

This is my 3rd post for #BlogchatterA2Z challenge and today I am going to talk about “Colour Dimensions”.

Colours are talked in terms of dimensions. Each sensation that we experience is a combination of three dimensions. They are Hue, value and intensity. Difference in these dimensions accounts for the difference we see in colours. Each dimension of colour makes specific contribution to the appearance. If we understand the effect of these dimensions we will better be able to colour match and coordinate clothing with accordance with mood and feelings.

Hue refers to the actual name of the colour. There are three kids of hues- primary, these are original and cannot be obtained my mixing other hues, secondary, these are obtained by mixing two primary colours in equal amount and tertiary, they result from a mixture of the primary and secondary hue in equal amount. Hues also refers to a colour’s relative degree of warmness and coolness. Red, orange and yellow are warm hues while blue and green are considered as cool hues.

Values refers to the relative degree of lightness and darkness of a colour.

Where are Intensity refers to the relative degree of brightness and dullness.

To understand which colour goes well with which other colour we should understand the use of Colour Wheel. When any colour is added with white it is called as Tint, and if any colour is added with gray it is called Tone and when any colour is added with black it is called as Shade. Hues, values and intensity from all around the colour wheel can be creatively combined and worn by all individuals. You only have to look around you. The combination are endless, limited only by the bonds of your imagination.

To achieve the individual effect you want, you can manipulate the specific combination of hue, value and intensity in your garment. For example if you want to stand out in a crowd while doing a professional presentation but do not want to appear overly bright than go for warmer colour like red but tone it down a bit by choosing darker duller red such as burgundy or wine.

Colour is the most obvious, powerful, stimulating and demanding element of design. it tends to be noticed first and remembered longest. Colour is also the most complex, creative, confusing and controversial of the elements. It evokes highly physical and emotional response, which may be conscious or unconscious. Our reactions to colour are immediate, inescapable and long lasting. While we may forget the texture and design details, we are more likely to remember the colour and our reaction to it.

The perception of colour is a very personal experience, physically and psychologically or culturally. No two people perceive a colour in exactly the same way, even within a framework of general perception.

Each of these dimensions are present in each colour you see and must be recognized to fully understand the essence and effect of colour. Right amount of colour combination can give you the look and feel, you want to portray. In combining colours in clothing, your goals to maintain a consistent theme or mood, occasion and personality, while achieving an interesting and harmonious balance among them- balance between warm and cool hues, light and dark values or bright and dull, in a variety of style lines, shapes and textures. For example some people love to see pink and fuchsia in the flower garden, but feel uncomfortable wearing them. They are psychologically more comfortable in shrimp, coral, brick and red.

Experiment a little and discover which colour are most in harmony with you, the place you go, and what you do there. As you experiment, you will discover colours you like to wear so much that they become part of your personal style- colours so specifically associated with you that they trigger an image of you in the mind of the people who knows you.

This post is part of #BlogchatterA2Z Challenge.

@Swati Mathur